Monday, November 3, 2008

McCain's Shameful Slur

Slate Magazine
fighting words

McCain's Shameful Slur

The Republicans' appalling attack on Rashid Khalidi.

By Christopher Hitchens

On the clouded synapses of Sen. John McCain, it became clear as his campaign limped and lurched to its close, the termites had been dining long and dining well. However much one might have admired the low comedy of his closing routine on Saturday Night Live, it had to be admitted that even in that context, he looked a trifle glassy and elderly, not to say lost. No doubt there was some safe refuge to be taken, by himself and his absurd choice of running mate, in self-deprecation. The true ghastliness, however, was revealed in the crudeness of the McCain-Palin attempt to deprecate others.

A few feeble cracks on a comedy show are not enough to erase the memory of a vulgar and vicious attack, mounted on a rival candidate McCain has publicly called "honorable," only a few days earlier. It had been said that Sen. Barack Obama had once attended a dinner for professor Rashid Khalidi, a distinguished Palestinian academic. It was further said that the Los Angeles Times, which had first reported the five-years-ago dinner in Chicago, was deliberately withholding a videotape of the evening that would show Obama in the audience while tough criticism of Israel was being voiced. Here is how the Republican nominee for the presidency of the United States described the situation in a radio interview in Miami:

I'm not in the business of talking about media bias, but what if there was a tape with John McCain with a neo-Nazi outfit being held by some media outlet? I think the treatment of the issue would be slightly different.

I presume that in this fantastic piece of semicoherent Florida pandering McCain meant to imply the wearing of a neo-Nazi outfit rather than the membership of one, but it was hardly necessary for him to be so arch as to disclaim an interest in "talking about media bias." After all, his campaign maintains and accouters a running mate who will do all that for him and will furthermore read anything that is put in front of her (or, if it is a hoax call, will believe anything that is told to her) and who opined, on the same subject:

What we don't know is how Barack Obama responded to these slurs on a country that he professes to support, and the reason we don't know is the newspaper that has this tape, the Los Angeles Times, refuses to release it. It must be nice for a candidate to have major news organizations looking out for their best interests like that.

And it must be easy for a woman who couldn't, when first asked, name a single newspaper or magazine that she had ever read, to become such an instant expert on the press. It was last April when the paper disclosed the original event. Now it's being accused of covering up the event!

My main point, though, is not to call attention to the bullying and demagogy of McCain's attack. It is to observe how completely it undermines any claim on his part to foreign-policy experience. Khalidi has been known to me for some time and can easily be read and consulted by anyone with the remotest curiosity about the Israeli-Arab dispute. He is highly renowned, well beyond the borders of his own discipline, for his measure and care and scruple in weighing the issue. If he is seriously to be compared to a "neo-Nazi," then the Republican nominee has put the United States in the unbelievable position of slandering the most courageously "moderate" of the Palestinian Arabs as a brownshirt and a fascist. What then has been the point of every negotiation on a two-state solution since President George H.W. Bush convened the peace conference in Madrid in 1991? Nazis, after all, are to be crushed, not accommodated. One would have to think hard before coming up with a more crazy and irresponsible statement on any subject. Once again, it seems that McCain utterly lost his bearings.

I put the word moderate in quotation marks above because I dislike employing it in its usual form. Rashid Khalidi's family is a famous one in Jerusalem, long respected by Arab and Christian and Jew and Druze and Armenian, and holding a celebrated house and position in the city since approximately the time of the Crusades. I have had the honor of being invited to this very house. If Rashid chooses to state that he doesn't care to be evicted from his ancestral home in order to make way for some settler from Brooklyn who claims to have God on his side, I think he has a perfect right to say so. I would go further and say that if Barack Obama was looking for a Palestinian friend, he could not have chosen any better. But perhaps John McCain has decided that he doesn't need any Palestinian friends and neither do we. Perhaps he thinks it's all right to refer to refugees and victims of occupation, who have been promised self-determination and statehood at the podium of the United Nations and the U.S. Congress by George Bush and Condoleezza Rice, as if they were Hitlerites. How shameful. How disgusting. How ignorant.

One could go a step further and say that many Israelis have used the words apartheid and terrorist to describe at least some of their government's policies. In just the same way, one could note that Khalidi has clearly denounced violence when used by his "own" side, and also—this I remember very well from meeting him in Beirut in the 1970s and '80s—when employed by regimes like the Syrian. But somehow this evidence and this reflection has become beside the point. McCain saw a chance to deal a cheap and low blow, and he had the ideally ignorant deputy to reinforce him. The slander, after all, might get them through another news cycle and perhaps adhere some defamatory mud to their opponent. Who cares that it made the United States of America look thuggish and ignorant and petty in the eyes of any thinking person in the Middle East? Anyone who does care should be getting ready to vote against this humiliating ticket, a team that so farcically and horribly unites the senescent and the puerile.

Christopher Hitchens is a columnist for Vanity Fair.

Article URL: http://www.slate.com/id/2203619/


Tuesday, October 7, 2008

Allison Weir Public Event

Allison Weir Public Event

Alison Weir is a reporter and executive director of If Americans Knew (ifamericansknew.org), a website devoted to misreported or unreported events regarding the Israeli-Palestinian conflict.
Event Info
Host:
Type:
Network:
Global
Time and Place
Date:
Tuesday, October 28, 2008
Time:
7:30pm - 9:30pm
Location:
TBA
City/Town:
Ann Arbor, MI
Contact Info
Email:

Description

Alison Weir is a reporter and executive director of If Americans Knew (ifamericansknew.org), a website devoted to misreported or unreported events regarding the Israeli-Palestinian conflict. Weir will be in town for two days. The first day, she will hold an informal workshop with members of SAFE and interested members of co-sponsoring organizations, offering information and support about effectively reporting and addressing media bias. The second day, she will hold a lecture on campus speaking about American media bias concerning the ongoing conflict, as well as sharing some of her experiences in Israel and the Occupied Territories. The overall purpose is to encourage the audience to question and further engage media representations of conflict, and to develop a greater sense of intellectual curiosity and in response to American media outlets. The event will impact campus by enriching the always-lively Israeli-Palestinian campus debate.

If Americans Knew is a non-profit organization that focuses on the Arab-Israeli conflict and United States foreign policy regarding the Middle East, offering analysis of American media coverage of these issues. Its mission, according to the group's website, is to provide "what every American needs to know about Israel/Palestine."[1] The site is generally critical of U.S. financial and military support of Israel. The group blames the pro-Israeli lobby in the US, AIPAC, for advancing support for Israel.

In addition to the freelance journalist and founder Alison Weir [2], board members [3] and staff include critics of Israel, such as Francis Boyle, a law professor, Eugene Bird, the president of the Council for the National Interest, Paul Findley, a former United States Representative, Andrew I. Killgore, a former ambassador of the United States to Qatar [4], and Pete McCloskey, a Democratic politician from California.

Presenting: DAM & Jackie Salloum






Presenting: DAM & Jackie Salloum

Slingshot Hip-Hop
Event Info
Host:
Type:
Network:
Global
Time and Place
Date:
Wednesday, October 22, 2008
Time:
8:00pm - 10:30pm
Location:
Michigan League Ballroom
City/Town:
Ann Arbor, MI
Contact Info
Email:

Description

http://www.youtube.com/watch?v=OgSVXjNLFgo
http://en.wikipedia.org/wiki/DAM_(band)
http://www.dampalestine.com/
http://www.jsalloum.org/
http://www.slingshothiphop.com/

SAFE is planning to bring renowned up-and-coming Palestinian American filmmaker Jackie Salloum to present an exclusive screening of her newest film “Slingshot Hip Hop”. The film, featured at the 2008 Sundance Film Festival, is a feature-length documentary chronicling the lives of Palestinian rappers in Gaza, the West Bank, and Israel. The event will raise awareness about the film, drawing attention to oppression and how art can be used to express social justice. After the screening, Jackie will lead a discussion about the film. Our goal for the event is to spark meaningful dialogue around Palestinian issues while raising cultural awareness about this facet of Palestinian life.
Palestinian rap group DAM, heavily featured in the documentary, will also give a performance after the film. The audience will have the opportunity to experience DAM’s story full circle as they can enjoy their performance at the Michigan Theater right after watching raw and emotional footage of their struggles in Palestine.

-----------------------------------------------------------------


The young Palestinian-American artist, whose work was featured at the 2005 Sundance Film Festival, was born in Dearborn, Mich. She grew up in a traditional home, surrounded by Middle Eastern food and music. Arabic was her first language.

In 2001, Salloum moved to New York City to pursue her interest in art as a graduate student. Her early work depicted conflict in Latin America. However, when the Israeli military raided Jenin in April 2002, Salloum was galvanized into a new focus on her Palestinian roots.

After the "Meen Erhabe" video, Salloum went on to make a movie montage for her senior thesis. She named it "Planet of the Arabs", and illuminated Hollywood�s widespread depictions of Arabs as villains and terrorists. Then Salloum experienced "a big shock." "Planet of the Arabs" went on to become an official selection at the 2005 Sundance Film Festival.

Her early successes inspired Salloum to create the world's first full-length feature film about Palestinian Hip-Hop. "SlingShot Hip Hop" will premiere at the 2008 Sundance Film Festival.




Da Arabian MC's Suhell Nafar, Tamer Nafar, Mahmoud Jreri DAM is the first and leading Palestinian Rap Group. It is composed of Tamer Nafar, 27, his younger brother Suhell, 23, and Mahmoud Jreri, 24. The group has been performing together since the late 90s. Tamer, who had been performing Rap since 1998 with his brother, was first contacted by Mahmoud Jreri. Mahmoud was writing his own lyrics so they quickly decided to join forces and the group was born in 1999. All three members of the group were born and grew up in the slums of Lod, a mixed town of Arabs and Jews, 20 km from Jerusalem.

DAM's music is a unique fusion of East and West, combining Arabic percussion rhythms, Middle Eastern melodies and urban Hip Hop/Rap

The lyrics of DAM are influenced by the continuing Israeli - Palestinian conflict as well as by the Palestinian struggle for freedom and equality. DAM also draw their influence from such controversial issues as terrorism, drugs and womens rights.

Musically they take their inspiration from both Hip Hop artists (Nas, 2Pac, Mos Def, IAM, NTM, Saian Supa Crew, MBS etc.) and Arabic music (Marcel Khalifa,Kazem Saher,George Wassouf, Majda al Romi etc.)

The songs, lyrics and music, are written and arranged by all members of the group and musically produced by them and other known producers.

DAM's debut album "Stop Selling Drugs" was released locally in 1998, followed by the second album called "Min Irhabi" (who's the terrorist?) which was released in 2001. The controversial title track of this album was released on the net and more than 1 million people downloaded it within one month from the website ArabRap.Net. The song was also distributed free with Rolling Stone magazine in France and became a "street" anthem. It was also featured in a compilation in France with Manu Chao, Zebda, Noir Desir and many other top artists.

Furthermore, the lyrics of the song were taught in some Universities around the world because of their deep meaning, and were also used in pro-Palestinian demonstrations around the world.

DAM are now gaining increased international popularity around the world through their unique message and ground-breaking live shows.

The growing international profile and interest in this unique band have led to participation in various films, events and collaborations including:

- "Local Angel", a 2002 documentary by Israeli director and political activist Udi Aloni. - Appearance in Forgiveness, Udi Alonis latest film selected at the Berlin Festival 2006. - Key appearance in the documentary Slingshot Hip Hop about todays Palestinian rap scene, by apalestnine amrican director Jackie Salloum. - Key appearance in the documentary film "Channel of rage", by Anat Halahmi, that showed the Israeli-Palestine struggle from the Israeli and Palestinian Rappers point of view - Appearance in the soundtrack of the film Ford Transit by Palestinian director Hany Abu Assad, who won a golden Globe for his film Paradise now. - Participation in the photoshoot by Magnum/National Geographic photographer David Alan Harvey about rap artists around the world. - Many live shows in Europe (France, England, Germany, Belgium, Switzerland etc.) and in the USA.

The band perform at the important TRANSMUSICALES DE RENNES festival in France in December 2006.

Dedication is DAMs long-awaited first international album which will be released autumn 2006.

Fiction meets fact in Hebron film


It is an ordinary story, in an extraordinary setting.

Hebron is the site for what its Israeli makers claim is the first fictional feature film ever to be shot in the city.

The city has become a byword for some of the sharpest tensions on the West Bank. It is the only West Bank city where Jewish settlers live in the midst of Palestinians.

The plot of Graduation is slender: it tells the story of a young Palestinian woman called Ayat, who is played by 23-year-old actress Yousra Barakat.

Ayat is attempting to reach her college graduation on the night of the Jewish festival of Purim. The Palestinians in the centre of the city are under curfew, so that the Jewish settlers can hold their Purim parade - a wild whirligig of coloured lights, loud music, fancy dress and feverish dancing.


I wanted to make the smallest story I could possibly tell, so that people could identify with it, but also say to themselves, 'This is really crazy, how can people live like this?' But yet this is the routine
Yaelle Kayam
Director

Ayat decides, along with her younger brother, to break the curfew. Theirs is an attempted journey past roadblocks, sealed entrances and checkpoints, and past soldiers and settlers.

The film's director is Yaelle Kayam, a 28-year-old from Tel Aviv and graduate of the Sam Spiegel Film School in Jerusalem.

"I wanted to make the smallest story I could possibly tell," she says, "so that people could identify with it, but also say to themselves, 'This is really crazy, how can people live like this?' But yet this is the routine."

Ms Kayam believes that the majority of people in Israel are "not aware at all" about what life is like for Palestinians in Hebron, or how the settlers behave.

She says that when she showed friends in Tel Aviv some of the earlier material she had shot, from the Purim parade, they thought that it had all been staged.

'Not allowed'

We watched rehearsals under a baking September sun, during Ramadan.

From the rooftop, where the actors were peering at the imaginary parade beneath, there was a clear view of the streams of men pouring towards the Ibrahim Mosque.
Director Yaelle Kayam
Kayam wants her film to increase awareness of restrictions in Hebron

Hebron is the West Bank's largest city, home to 160,000 Palestinians. Dotted through the centre of the city are the few hundred Jewish settlers, guarded by several hundred Israeli soldiers.

It is the presence of these settlers that has turned Hebron into a patchwork of internal checkpoints and closures.

From the material already shot by Yaelle Kayam and her Israeli crew, one of the most arresting, almost other-worldly scenes, shows Yusra watching, from the caged first-floor balcony of a Palestinian house, the Purim parade below.

In real life, the house belongs to Zlika Muhtaseb, a 46-year-old teacher, and life-long resident of Hebron.

As with all the houses along this street, Zlika's balcony is enclosed in a stout metal mesh to guard against the stone-throwing from young settlers. She says that, in any case, she is rarely allowed out on to the street which her home overlooks.

"It was the main street in Hebron, connecting the north with the south," she said. "But the settlers said that Palestinians shouldn't use it, because of security."

She last used the door onto Shuhada Street more than a month ago. At the roundabout 200m from her house, she was stopped by a soldier.

"He was surprised to see me. 'Where did you come from?' he said. I showed him my house. He said: 'You're not allowed to use this street. Go back.'

"I showed him my permit. He said: 'It's not valid. It does not apply here.' I asked him where I should use it. He said: 'I don't know, it doesn't apply here.'"

Welded shut

Zlika does have another doorway she can use, but it takes her on a much longer detour, through several more checkpoints, to get to where she wants to go.
Tim Franks, on the roof of the house
The Qafisha family must cross to a neighbour's roof to go outside

At least she does have another entrance. That is an improvement over the Qafisha family, who live a short walk away, and whose house has also been the site for some of the filming.

Five years ago, their only door to the street was welded shut by the Israeli army. Since then, the 10 members of the family - from grandparents to grandchildren - have a rather more complicated route to the outside.

They have to ascend uneven, switchback stone steps, stooping to avoid the ceiling, in order to reach their roof. There they cross through a ragged hole in an outside wall on to their neighbours' roof.

They then make their way down a series of steep stairways to the neighbouring doorway.

The older women of the family say that they have been left depressed and sometimes injured by the ordeal of just coming and going from their home.

Graduation is due to premiere next April. It is a work of fiction. But only just.

Saturday, September 13, 2008

Israeli security forces black performer to dance

MSN Tracking Image
MSNBC.com
Israeli security forces black performer to dance
Alvin Ailey troupe member allegedly singled out because of Muslim name
The Associated Press
updated 11:38 a.m. PT, Tues., Sept. 9, 2008

JERUSALEM - A performer with the famed Alvin Ailey dance troupe on Tuesday said he was twice forced to perform steps for Israeli airport security officers to prove his identity before he was permitted to enter the country.

Abdur-Rahim Jackson, an eight-year veteran of the dance ensemble, said he was singled out by Israel’s renowned airport security because he has a Muslim name. He called the experience embarrassing and said at one point, one of the officers even suggested he change his name.

“To be greeted like this because of my name, it took me back a little bit,” said Jackson, who is black.

Israel is the first stop on a six-nation tour celebrating the New York-based dance company’s 50th anniversary. Earlier this year, Congress passed a resolution calling the Alvin Ailey American Dance Theater a “vital American cultural ambassador to the world.”

Jackson said he was pulled aside from other members of the troupe when they arrived at Israel’s international airport on Sunday night. He said he was taken to a holding room, where he was asked about the origins of his name. When he explained he was part of the dance group, he was asked to perform.

“I stood up. I asked what type of dance?” he explained. “He said, “Just do anything.’ I just moved around.”

Minutes later, he said a female officer put him through a similar interrogation and asked him to dance again.

“The only time I’m really expected to dance is when I’m performing,” he said.

Jackson said he received his name because his father was a convert to Islam. Jackson said he was not raised a Muslim, does not consider himself religious and is engaged to a Jewish woman in the troupe who has relatives in Israel.

Jackson said he did not plan to press the matter further, saying the numerous apologies he has received from American dignitaries and his Israeli hosts is “enough for me.” The Israel Ports Authority said it had no comment because it did not receive a formal complaint.

The incident was reported in Israel’s largest newspaper and on an Israeli television news and interview program. “The security guards should be sent home or (the airport) will become a mental asylum,” said Motti Kirshenbaum, a veteran commentator and host of the Channel 10 TV program.

Israel is constantly on the alert for attack because of the Israel-Palestinian conflict and extremist Islamic rejection of the Jewish state’s existence. Security is strict at all entry points and inside the country.

Israel is famous for the effectiveness of its airport security. But a key element in its security checks is ethnic profiling. The practice has been criticized by Israeli human rights campaigners as racist because it singles out Arabs for tougher treatment.

Such profiling is illegal in the United States, but Jackson said that the only place he has had the similarly humiliating experience of being forced to dance in the past was at a U.S. airport when he returned from a vacation in the Dominican Republic. He did not say when or where that took place.

Jackson said that since the Israeli airport incident, the reception in Israel has been “amazing.”

“We’re only here to bring positive light to our lives and the people here,” he said, calling the group’s multicultural appeal “an amazing bind you can’t touch, you can only experience.”

Copyright 2008 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

URL: http://www.msnbc.msn.com/id/26623540/
MSN Privacy . Legal
© 2008 MSNBC.com